Designer and transdisciplinary artist, I am specialized in textiles. At the crossroads of several fields, I combine fieldwork with the creation of materials, colors, universes, forms, and stories. I transpose the principles of textile construction to the scale of objects, spaces and narratives in order to propose new perspectives of eco-responsible production, and consumption. Rooted in a technical, historical and social textile culture, the solutions tend to be resilient, the materials local, and innovative and the assemblages intelligent.

My nomadic life inspires me to research the forms of living. When starting a project, the observation is usually free from expectations, the space is left empty allowing me to raise local and contemporary issues. I work observing the surrounding world, the available resources, analyzing our relationships with built and natural space and with our possessions in order to create projects where the processes and the encounters matter more than the final shape.

I work as an independent designer since 2017, I graduated from ENSCI-Les Ateliers with a master’s in textile design with a distinction for innovation in 2018 and from ENSAAMA  with a bachelor’s in fashion and environment design in 2014.
Since 2020 I develop collaborative performing art projects with Collectif Trouble. Since 2021, I am an active member of the Floating University Berlin association. 

" The game rules of the handyman, Levi-Strauss writes, is that he always manages with ‘he has on hand’, meaning with a finite and heterogeneous set of tools and materials he finds around him. The activity of the handyman is developing through the opportunities, the chances that he can take: in the line of a ragman, he picks up bits of strings, he recycles residues and abandoned objects that linger here and there. He hijacks their purpose and original use to serve something else, that is to say, other senses. But above all, remember that the handyman is someone who lets himself be solicited by the possible meanings and uses that he finds in objects and materials. For the handyman, the space around him and what it contains are not neutral and exist in a homogeneous indifference. Covered with traces and signs the environment has a face, reliefs, folds; a physiognomy carrying meaning and values. "


Jean-Marc Besse in “Habiter”